Corona Conceit

There’s an ancient piece of machinery occupying the star spot on my desk. It has a keyboard organized much the same as the newfangled computer next to it, but the keys reach out invitingly; honestly. No hidden functions, no backlit letters, no fickle electronics.
Sheet-metal body, heavy and robust, colored like spilt wine. It exudes an energy of wisdom, experience, and history. Faintly musty like an old leather chair in the far corner of a leather-bound library. How many words has it written? sentences inscribed? paragraphs composed? Like an old violin: how many hands have tickled out a reflection?
A sheet of paper sits waiting––mostly blank––with a few words etched in black ink. Across the page, a black and red ribbon stretches like a banner of literary significance. Below the ribbon, a multitude of metal letters lie ready, poised to strike. A silent story unfolds, before my fingertips even brush the lillypad keys.
And then––no secret writing in the rhythmic clack clack clack––the song of prose grooves to the steady strike of type on paper. No pattern of zeros and ones: all words, all the time. Dancing and skipping across the white expanse like the footprints of fictitious figures in my dreams.
Old and new, side-by-side on my desk, coexist in perfect anachronic harmony. Which will my fingers flit for today? They say a man’s desk is a window to his soul—or maybe they don’t, but perhaps they should…